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Member Spotlight - David Paul Larson



[ January 29th, 2007 ]   Fashion photography never crossed David Paul Larson's mind until about 2002 when he was medically discharged from the Marine Corps. He was forced to rethink his life plan and how to move forward. Reflecting upon his experience in the Marines he found that he enjoyed the attention to detail the Marines pride themselves on. "I took that notion and applied it directly to fashion photography. In my opinion fashion photography is known for its attention to detail, which is why this form of photography became so important to me."

Altpick had the pleasure to talk with David Paul Larson about his career in photography, the Marines and his inspirations.

Even though photography never crossed your mind until 2002, did you have any creative interests as a child or young adult? Does anything come to mind that may have influenced you in 2002 to look at photography as a career?


In high school I took one photography class. However, I wouldn't say that the class instantly hooked me. I was more interested in the spontaneous image. I was always fascinated in what I could get the subject to show me in a photograph. At the time I never thought of photography as a career path because I was so interested in the Marines. When I was discharged my family and friends started asking me "what are you going to do now?". The Marines instilled a very strong sense of discipline within me, using this I told myself that I could do anything I wanted and chose to become a fashion photographer. I didn't know what it would entail or how I would get there but several months later I enrolled in photography school.

Where did you receive your technical knowledge?
I received my basic technical knowledge from Columbia College Chicago and from assisting photographers.

In addition to being a person that is known for "attention to detail", what other characteristics would you add?
I am always looking for something spontaneous in my photographs. I am often times having a conversation with my subjects while I am shooting. I want my subjects to show me something they don't show other photographers. This is of the utmost importance to me.


I try to bring something innovative and fresh to every shoot. When a client hands me a concept I am always looking for a way to give it an edge and make it more visually interesting. I am always experimenting with new ways to stay on top of my own creativity through photography.

What equipment do you use?
I shoot mostly with an RZ67 for my own work, but on most assignments I am shooting digital due to shortened deadlines.

How do you know when you have gotten the shot you want?
That's a good question. I usually get a feeling in my stomach when we have it or we don't. Sometimes, it could take 10 minutes to get the shot, other times it may take well over an hour.

Where do you get most of your inspiration? Do other photographers inspire you?
I get inspiration from a lot of different places. Films, music, painting and life experience's are the main inspiration for most of my work. The list of photographers I am influence by at present happens to be very long, but if I were to name a few I would say Rankin, Mario Testino, Peter Lindbergh, Ellen Von Unwerth, Ryan Micheal Kelly and Max Vadukul.

How would you define your style?
My work is very sexual and glamorous. I want the viewer to escape through my images to a place of their own fantasy.

What are you working on right now?
Aside from developing my personal work, when I am not on assignment I am working on a self-promotion series that will I will be sending out later this year. My main goal for 2007 is to obtain more of an editorial presence.

What do you look for in a team?
The first thing I look for is what their attitude and energy towards their work is. If they don't have positive energy and/or a great attitude I am not interested in collaborating with them.


Who are some of your clients and what kind of work do you generally get?
Currently I am working with The Peninsula Hotel Chicago, Modern Luxury, MNG Mango and Dom PŽrignon. Some of these clients are on an advertising basis and some are on an editorial basis. Presently most of the work I am shooting is editorial.

Going forward, where do you see yourself in 5 years?
I see myself working for editorial and advertising clients on an international basis.



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